Wednesday, December 28, 2011

Lenin: We should dream*

"We should dream!" I wrote these words and became alarmed. I imagined myself sitting at a "unity conference" and opposite me were the Rabocheye Dyelo editors and contributors. Comrade Martynov rises and, turning to me, says sternly: "Permit me to ask you, has an autonomous editorial board the right to dream without first soliciting the opinion of the Party committees?" He is followed by Comrade Krichevsky; who (philosophically deepening Comrade Martynov, who long ago rendered Comrade Plekhanov more profound) continues even more sternly: "I go further. I ask, has a Marxist any right at all to dream, knowing that according to Marx, mankind always sets itself the tasks it can solve and that tactics is a process of the growth of Party tasks which grow together with the Party?"

The very thought of these stern questions sends a cold shiver down my spine and makes me wish for nothing but a place to hide in. I shall try to hide behind the back of Pisarev.

"There are rifts and rifts," wrote Pisarev of the rift between dreams and reality.

My dream may run ahead of the natural march of events or may fly off at a tangent in a direction in which no natural march of events will ever proceed. In the first case my dream will not cause any harm; it may even support and augment the energy of the working men.... There is nothing in such dreams that would distort or paralyse labour-power. On the contrary, if man were completely deprived of the ability to dream in this way, if he could not from time to time run ahead and mentally conceive, in an entire and completed picture, the product to which his hands are only just beginning to lend shape, then I cannot at all imagine what stimulus there would be to induce man to undertake and complete extensive and strenuous work in the sphere of art, science, and practical endeavour.... The rift between dreams and reality causes no harm if only the person dreaming believes seriously in his dream, if he attentively observes life, compares his observations with his castles in the air, and if, generally speaking, he works conscientiously for the achievement of his fantasies. If there is some connection between dreams and life then all is well.**

Of this kind of dreaming there is unfortunately too little in our movement. And the people most responsible for this are those who boast of their sober views, their "closeness" to the "concrete", the representatives of legal criticism and of illegal "tail-ism".

*from V.I. Lenin's What Is to Be Done
**Lenin cites D.I. Pisarev's Blunders of Immature Thinking


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Monday, October 18, 2010

Evanna Lynch reads Foster by Claire Keegan



Evanna Lynch rose to prominence by playing Luna Lovegood in the Harry Potter film series. She recorded an abridged version of Claire Keegan's Foster in August 2010 for BBC Radio 4. The short story was abridged by Neville Teller. Learn more about Evanna Lynch.

The American writer Richard Ford, who selected her short story Foster as winner of the Davy Byrnes Irish Writing Award 2009, wrote in the winning citation of Keegan’s "thrilling" instinct for the right words and her "patient attention to life’s vast consequence and finality".

Learn about Claire Keegan.




You might also like to read the Harry Potter Prequel.

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Monday, October 4, 2010

The Harry Potter Prequel, by JK Rowling (2008)

About: The Harry Potter Prequel

The speeding motorcycle took the sharp corner so fast in the darkness that both policemen in the pursuing car shouted ‘whoa!’ Sergeant Fisher slammed his large foot on the brake, thinking that the boy who was riding pillion was sure to be flung under his wheels; however, the motorbike made the turn without unseating either of its riders, and with a wink of its red tail light, vanished up the narrow side street.

‘We’ve got ‘em now!” cried PC Anderson excitedly. ‘That’s a dead end!”

Leaning hard on the steering wheel and crashing his gears, Fisher scraped half the paint off the flank of the car as he forced it up the alleyway in pursuit.

There in the headlights sat their quarry, stationary at last after a quarter of an hour’s chase. The two riders were trapped between a towering brick wall and the police car, which was now crashing towards them like some growling, luminous-eyed predator.

There was so little space between the car doors and the walls of the alley that Fisher and Anderson had difficulty extricating themselves from the vehicle. It injured their dignity to have to inch, crab-like, towards the miscreants. Fisher dragged his generous belly along the wall, tearing buttons off his shirt as he went, and finally snapping off the wing mirror with his backside.

‘Get off the bike!’ he bellowed at the smirking youths, who sat basking in the flashing blue light as though enjoying it.

They did as they were told. Finally pulling free from the broken wind mirror, Fisher glared at them. They seemed to be in their late teens. The one who had been driving had long black hair; his insolent good looks reminded Fisher unpleasantly of his daughter’s guitar-playing, layabout boyfriend. The second boy also had black hair, though his was short and stuck up in all directions; he wore glasses and a broad grin. Both were dressed in T-shirts emblazoned with a large golden bird; the emblem, no doubt, of some deafening, tuneless rock band.

‘No helmets!’ Fisher yelled, pointing from one uncovered head to the other. ‘Exceeding the speed limit by – by a considerable amount!’ (In fact, the speed registered had been greater than Fisher was prepared to accept that any motorcycle could travel.) ‘Failing to stop for the police!’

‘We’d have loved to stop for a chat,’ said the boy in glasses, ‘only we were trying -’

‘Don’t get smart – you two are in a heap of trouble!’ snarled Anderson. ‘Names!’

‘Names?’ repeated the long-haired driver. ‘Er – well, let’s see. There’s Wilberforce… Bathsheba… Elvendork…’

‘And what’s nice about that one is, you can use it for a boy or a girl,’ said the boy in glasses.

‘Oh, OUR names, did you mean?’ asked the first, as Anderson spluttered with rage. ‘You should’ve said! This here is James Potter, and I’m Sirius Black!’

‘Things’ll be seriously black for you in a minute, you cheeky little -’

But neither James nor Sirius was paying attention. They were suddenly as alert as gundogs, staring past Fisher and Anderson, over the roof of the police car, at the dark mouth of the alley. Then, with identical fluid movements, they reached into their back pockets.

For the space of a heartbeat both policemen imagined guns gleaming at them, but a second later they saw that the motorcyclists had drawn nothing more than -

‘Drumsticks?’ jeered Anderson. ‘Right pair of jokers, aren’t you? Right, we’re arresting you on a charge of -’

But Anderson never got to name the charge. James and Sirius had shouted something incomprehensible, and the beams from the headlights had moved.

The policemen wheeled around, then staggered backwards. Three men were flying – actually FLYING – up the alley on broomsticks – and at the same moment, the police car was rearing up on its back wheels.

Fisher’s knees bucked; he sat down hard; Anderson tripped over Fisher’s legs and fell on top of him, as FLUMP – BANG – CRUNCH – they heard the men on brooms slam into the upended car and fall, apparently insensible, to the ground, while broken bits of broomstick clattered down around them.

The motorbike had roared into life again. His mouth hanging open, Fisher mustered the strength to look back at the two teenagers.

‘Thanks very much!’ called Sirius over the throb of the engine. ‘We owe you one!’

‘Yeah, nice meeting you!’ said James. ‘And don’t forget: Elvendork! It’s unisex!’

There was an earth-shattering crash, and Fisher and Anderson threw their arms around each other in fright; their car had just fallen back to the ground. Now it was the motorcycle’s turn to rear. Before the policemen’s disbelieving eyes, it took off into the air: James and Sirius zoomed away into the night sky, their tail light twinkling behind them like a vanishing ruby.

You might also like to listen as Evanna Lynch (Luna Lovegood) reads Foster by Claire Keegan.

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